Author: Karen Casio

  • New Year’s Resolution: Learn to Play a Bowed Instrument

    New Year’s Resolution: Learn to Play a Bowed Instrument

    Have you ever thought about playing a bowed instrument but then reasoned, “Learning to play an instrument at my age would be like trying to nail Jell-O to a tree”? Research shows that adults of any age can learn to play an instrument. With the start of the new year, why not consider learning to play one of our stringed instruments and make doing so a part of your new year’s resolution.

    You already know listening to good music can be as relaxing as it is entertaining. But did you know older adults are part of a growing population of music students? Alicia Andrews, assistant director and adult division manager at the Lucy Moses School at Kaufman Music Center in New York City states, “In the last few years, more adults are really making music and arts a priority in their lives….”1

    Learning to play a musical instrument as an adult is a great way to keep the brain active. While children’s brains are still forming making it easier to learn new skills, older adults are just as capable of learning those same skills although it may take a bit longer. When adults learn new skills, new connections are created in the brain. This is because of neuroplasticity, meaning the brain has the “ability to modify, change, and adapt both structure and function throughout life and in response to experience”2.

    Research shows that adults who regularly engage in purposeful musical endeavors increase their cognitive function. Playing an instrument can improve memory, auditory processing and more, creating a “workout” for both sides of the brain, compared to non-musician adults.

    Learning to play a stringed instrument is also a great way to relieve stress. Taking the time to play can assist in relaxation and rejuvenation at the end of a busy work day or other times of stress. This is due to a hormone released in the brain called dopamine which stimulates the feeling of pleasure, motivation, focus and more.

    In addition to proven research, adults have many life experiences which can aid in developing new music skills. For example, most adults know their own learning styles giving them the advantage to seek out instructors with matching teaching methods.3 Adults are also familiar with various styles of music and able to process abstract ideas such as chords, intervals and other aspects of music theory more easily, and have the discipline needed to practice effectively, to name a few.

    With more and more adults incorporating music lessons into their lives, why not consider joining this growing population. Here at Bernhardt House of Violins, we have an extensive list of skilled instructors who can assist you in making your new year’s resolution of playing a stringed instrument a reality.

    Click on the link to see the list of available teachers in our area: Private Teachers

    1. More older adults learn it’s never too late to pick up a musical instrument
    2. Learning a New Instrument as an Adult
    3. The Benefits of Learning to Play an Instrument: What Studies Show
  • Expand Your Music Playing Opportunities

    Expand Your Music Playing Opportunities

    Has playing a stringed instrument brought you and/or your child unimaginable satisfaction? Are you looking for other opportunities beyond the classroom where your child can stretch and grow as a musician? There are considerable options across our area for aspiring young musicians to broaden their experience with like-minded peers by participating in youth orchestras and ensembles. Most require auditions which
    typically involve sight reading, a variety of scales, excerpts, and/or a solo of choice. Some accept applicants as young as 8 years old with at least one semester or one year of private lessons.

    Spartanburg Philharmonic Youth Orchestra (SPYO) has several opportunities for young
    musicians in the Upstate of South Carolina to grow as an artist. Dr. Susana Lalama, Symphony Conductor in her article Learning Together, Growing Together for the Spartanburg Philharmonic magazine Hear Here says, “The students are eager to learn new music and grow as musicians together.” She goes on to say, “The future is bright for the Spartanburg Philharmonic Youth Orchestra!”1

    Dr. Lalama is also the director of the Petrie School of Music at Converse College. Visit spartanburgyouthorchestra.org/  to learn more.

    Carolina Youth Symphony (CYS) members are from both Carolinas and are a large group of talented and dedicated young musicians. As “one of the only youth orchestras in the country to be able to continue rehearsing and performing as a full orchestral ensemble” 2 CYS, with the help of committed and determined parents, worked creatively to see that their blossoming musicians reached their fullest potential during the pandemic. Having done such, “on April 21, 2019, the Carolina Youth Symphony returned to Carnegie Hall for an incredible 7th performance and …return(ed) on April 23, 2023.”   For more information on joining the Carolina Youth Symphony go to carolinayouthsymphony.org/contact-us/.

    Greenville County Youth Orchestra (GCYO) offers a variety of options for young musicians, (including beginners with measurable talent) comprising of six ensembles. With a focus on education, students work on repertoire intended to build needed performance skills.Financial assistance is available for those who qualify for private lessons or summer programs. Contact GCYO to see how your child can qualify by calling 864-355-3040, emailing at [email protected] or visiting their website at gcyo.net .

    South Carolina Philharmonic Youth Orchestra (SCPYO) has auditions in the spring and the fall. SCPYO “support(s) music education in South Carolina through collaboration with local music educators, school music programs and arts organizations.” 4 With membership open to musicians as young as young as 8 years old, your child can “grow” musically as he or she does physically. If you would like to learn more go to scphilharmonic.com/youth-orchestra/.

    South Carolina Music Educators Association (SCMEA) has a variety of enrichment
    opportunities throughout the state and is divided into five regions. To find your region go to scmea.net/divisions/orchestra-division/region-orchestra/region-breakdown/. To see what is available in your area visit scmea.net/divisions/orchestra-division/region-
    orchestra/. For further information call 864-596-9172.

    South Carolina American String Teacher’s Association (SC-ASTA) is gearing up for its
    annual cello choir: Cellobration 2023 which will take place September 15-16. This year it will be hosted by Furman University in Greenville, SC. This is a great opportunity for cellists of all ages from near-beginners to professionals are welcomed to participate. Find out how you can participate, by visiting furman.edu/academics/music/camps-conferences/cellobration/ for more information including fees, early registration, itinerary and more. SC-ASTA also has other events throughout the year. Opportunities for this fall are Region 2 auditions, a Double Bass workshop, as well as Solo & Ensemble. Winter and spring offer a Violin & Viola Choir, another Solo & Ensemble, and Honor Orchestra. If you would like more information or to register for these events check out sites.google.com/greenvilleschools.us/scasta/home.

    As you can see, there are an assortment of youth orchestra and ensemble opportunities you and your child can explore for musical enrichment within our area. Not only will your child be able to use the skills he or she has already acquired to develop their musicianship, but they will also be introduced to performance skills as well. If any of these opportunities are of interest, consider contacting your student’s teacher for more information as they may have additional details and can make suggestions based on your son or daughter’s abilities. 

    1. issuu.com/spomusic/docs/spartanburg_philharmonic_-_hearhere__spring_2021__
    2. carolinayouthsymphony.org/about-us/our-history/
    3. gcyo.net/
    4. scphilharmonic.com/youth-orchestra/about/staff/

  • Motivational Tips To Encourage Practicing

    Motivational Tips To Encourage Practicing

    Desiring to play an instrument is an exciting “first step” for any child. It is a wonderful adventure that can last a lifetime. However, like any worthwhile endeavor, the outcome is reflected by the time and energy put into it. Motivation is key when learning any new skill, especially with music because two skills are being developed at the same time: the instrument and reading music. Knowing your child’s specific cues and needs can help sustain their enthusiasm long after the newness wears off.
    The first step in motivating your child to practice is leaning how your child learns best. In her article, How to Inspire Your Child to Practice a Musical Instrument, Elayna Fernandez, mother and creator of The Positive Mom online blog writes, “Knowing your child’s learning style will help you discern whether you will need to incorporate more recitation, hands-on activities, visual aids, going to concerts, playing at recitals, or written materials (such as music theory) into the practice, makes music practice and rehearsal more engaging.” 1

    There are four primary learning styles: visual, auditory, kinesthetic, and read/write.
    “Understanding these different types of learning styles can drastically impact the way teachers handle their students and adapt individual learning.” ²

    Visual learners excel in an environment rich with charts, diagrams, graphs, outlines, symbols, and videos. They can also be stimulated by color coding notes and key words. ³ This can be especially helpful for young musicians.

    Auditory learners absorb information through the spoken word, lectures, and oral
    presentations as well as group discussions. “Saying things out loud helps them understand the concept.” 4 They are exceptional at recalling details from past conversations.

    Kinesthetic learners thrive when they can acquire knowledge through physical, real-life
    experiences. They would rather learn by doing, using “their senses to understand new
    information and find ways to personalize data for easier recall…” ³

    Read/Write learners gain understanding through the written word and enjoy researching needed facts. They will “organize diagrams, charts, and graphic organizers into statements.”5 They are list-makers, note-takers, and will read for enjoyment.
    Once discovering your child’s primary learning style, you can easily tailor motivational tools to encourage your budding musician to practice. In this way, your child may find practicing much more fun and inviting.

    The next step in motivating your child to practice is to consider deciding with him or her on a suitable practice time. Including your child in the decision-making process can go a long way in creating a sense of autonomy. You might notice in doing so the practice time will naturally expand as your young musician feels their input is valued.

    Note: It is important to abstain from offering bribes. While it might seem harmless and a good idea, this is actually counterproductive. “Over time, bribes not only have to increase in size and quality to be enticing to your child, they also make it difficult for your student’s teacher to motivate them during lessons.” 6

    Another component to motivating your child to practice is focusing on his or her effort. Resist criticism or comparisons to siblings or friends. Affirmation that is meaningful to your child re-enforces your support and builds their confidence. Highlight your child’s strengths and noticeable improvements by commenting on what you liked best about their practice and progress.

    When a practice session does not go well, ask your child how he or she feels about their playing and what seemed to make the practice so tough. Also ask what he or she thinks they can do to overcome the difficulty. This not only places the responsibility on rising above the challenge placed on him or her, it may also give insight on how you can best offer support as your student is being musically stretched. If your child is struggling with a particular section of a piece, it might be helpful to break up the difficult segment into smaller “bites” which can enable success in “digestible” portions. On the other hand, if your musician seems bored with practicing, it may be an indication he or she is under-challenged and could benefit from more advanced pieces.

    Finally, when contemplating how to motivate your young musician to practice, it is important to identify your child’s level of independence. Elayna Fernandez says, “Even though some kids prefer more parental involvement than others, all kids need a sense of freedom and a sense of choice. It may seem contradictory, but the more you hover over your children, the less motivation they will have to practice or even play their instruments.” 1

    Watching your child’s excitement grow with the anticipation over learning to play an instrument is encouraging. Knowing how to motivate him or her to practice when the excitement mellows can seem like trying to find a needle in a haystack. With careful discernment and planning, you can be the motivational support your child needs to progress and succeed as a musician.

    1. https://www.thepositivemom.com/inspire-your-child-to-practice-a-musical-instrument
    2. https://www.rasmussen.edu/degrees/education/blog/types-of-learning-styles/
    3. https://shorelight.com/student-stories/what-are-the-different-types-of-learning-styles/
    4. https://bau.edu/blog/types-of-learning-styles/
    5. https://teach.com/what/teachers-know/learning-styles/
    6. https://nolaschoolofmusic.com/blog/should-you-force-your-child-to-practice

    Here are other sites you might find helpful:

    How to Motivate Your Child to Practice Their Instrument

    How to Motivate Your Child to Practice Music

    https://franklinmusicacademy.com/how-do-i-keep-my-child-motivated-to-learn-an-instrument

  • Traveling With Your Instrument

    Traveling With Your Instrument

    The changing weather is a great time to think about traveling, whether nationally or internationally, and taking your instrument along can make the experience that much more pleasant and meaningful. However, depending on your mode of transportation, it may be profitable to plan well in advance, especially when driving or flying across national borders.
    Are you traveling by car? If so, keep in mind the temperament of your instrument and bow as you journey from one region to another, particularly environmental changes, (i.e., humid, dry, etc.). And if you have not already purchased a quality hygrometer, doing so could prove worthwhile. Also, remember to NEVER pack your instrument in the trunk of a car or in the back of a pick-up truck. The unregulated temperature can cause irreparable damage to the instrument in a very short amount of time. Once arriving at your destination, be sure to take it indoors. If flying is more your style, then you may already be aware the Department of Transportation (DOT) issued a ruling “regarding the carriage of musical instruments as a carry-on baggage or checked
    bagged on commercial passenger flights… [which went into effect] March 6, 2015.” 1 As a result, all US air carriers are required to accommodate musicians traveling with their instruments. While this ruling has clarified boundaries for airlines and musicians, it is important to keep in mind that aircrafts can vary in size as well as seating capacity within any airline’s fleet. Therefore, the potential for limited storage within the craft’s cabin exists, so be sure to check the airlines’ website regarding carry-ons. You will also want to emphasize traveling with a musical instrument when booking your flight, especially if your instrument is a cello or larger. “For some musical instruments that are too large to fit in the cabin stowage areas… (e.g., an overhead bin or under a seat), it is sometimes possible to secure them to a seat as “seat baggage” or “cargo in the passenger cabin.” Thus, some musicians will purchase a ticket for their larger instruments for peace of mind instead of checking it in with their baggage, avoiding the risk of disastrous damage to their investment. However, there are weight and measurement restrictions but is permissible on some larger aircrafts “if storage space is
    available.” This is another good reason for planning your trip well in advance.

    Whether you choose driving to enjoy the scenery or taking to the skies, things can get a bit “saucy” when it comes to crossing national borders. “If you are traveling with a musical instrument that contains Brazilian rosewood, elephant ivory, tortoiseshell, or another protected species, you will need to obtain proper legal documentation before crossing international borders.” Securing these documents can easily take several weeks or longer. The following links may be helpful in answering some questions and/or concerns:
    FWSE Permits Services .

    1.Federal Register – Carriage of Musical Instruments

    2.https://www.transportation.gov/sites/dot.gov/files/docs/Final_%20Rule_%20Musical_Instruments.pdf

    3.https://fwsepermits.servicenowservices.com/fwsid=fws_kb_article&sys_id=a386c1861ba390501f45dbdbe54bcbca

    Other sites that may be helpful:

    https://www.transportation.gov/sites/dot.gov/files/docs/resources/individuals/aviation-consumer-protection/47261/musical-instruments-tip-sheet.pdf

    https://www.namm.org/regulatory-compliance/endangered-species

    CITES Protected Species Travel Tips

  • Classroom Management Strategies for Music Teachers

    Classroom Management Strategies for Music Teachers

    With the start of another school year on the horizon, taking a look at your classroom
    management plans may bring a fresh perspective. As you ponder successful elements and those that went “flat”, a few tweaks might be what you need to take your music management plans to the next level.

    If you are considering a change to your overall approach to classroom management Dave Schaefer, Choral Director at Garland High School in Garland, Texas, has a suggestion. In his recent National Association for Music Education (NAfME) webinar presentation, Simple Classroom Strategies, he advocates music teachers use the term ‘expectations’ in place of ‘rules’ stating, “we are trying to build a climate in our classrooms; a climate of acceptance, a climate of ‘welcome’ to the students.” To anchor this concept, Shaefer promotes utilizing the word team instead of class. Encouraging his students to work together for a common goal he reminds them, “Unlike sports teams, we don’t have benches. Everybody’s a starter.” 1

    Maybe you have decided to alter your expectations and/or accountabilities. Harry Wong, recipient of the National Teachers Hall of Fame’s first Lifetime Achievement Award 2 and co-author of The Classroom Management Book and The First Days of School, says, “The most successful classes are those where the teacher has a clear idea of what is expected from the students and the students know what the teacher expects from them.” 3 He and other educators defend that expectations should be taught and practiced daily beginning the first day of school until they become routine for students; adding that sound expectations will be of little value if they are not backed with strong accountability. Michael Linsin, teacher and author of Classroom Management for Art, Music, and PE Teachers and Dream Class says, “…it’s not which individual decision that makes the greatest difference. It’s making the decision and then supporting it with teaching and accountability that most impacts behavior.” 4 With this in mind, it is reasonable to think that clear expectations paired with immediate and judicious consequences can create a more productive learning environment that can last all
    year.

    Anthony Molinaro, music educator for more than 16 years, a member and guest lecturer at Carnegie Mellon University and certified teacher of Dalcroze Eurhythmics offers a different approach to classroom management. In his NAfME webinar Music Driven Classroom Management 5 , he capitalizes on children’s natural tendencies to wiggle and move and utilizes that energy to teach basic music concepts through physical movement as a form of artistic expression. He includes transition times from one activity to the next making “every moment in the class ‘feel’ musical” as part of his classroom management plan. 6 Molinaro goes on to say, “When students are engaged with Time, Space, and Energy; the musical sensation it elicits drives the class forward effortlessly. This is the key to Music Driven Classroom Management.” Check out his video:
    Music Driven Classrom Management – Designing Procedures

    1. Simple Classroom Strategies

    2. Harry Wong – About Us

    3. The Classroom Management Book and the First Days of School

    4. Smart Classroom Management

    5. NAfME Webinar

    6. Classroom Management Plan

  • Summer Break Is On The Way!

    Summer Break Is On The Way!

    With the end of the school year well in sight parents are often looking for creative ways to ensure their child has a constructive, yet enjoyable summer. Students, on the other hand, usually see the end of school as a welcome relief to sleep in and get away from text books, exams and project deadlines. A solution that has repeatedly pleased both sides is summer camp.

    Your student’s interest in playing a string instrument may have revealed a growing talent. Enrolling in summer music camp could be the next right step for your young musician. Music camp can enhance and build upon the skills he or she has acquired during the school year. Not only is summer music camp a great opportunity for your child to “fine tune” their skills (pun intended), they can also expand their knowledge and experience with like-minded peers. Students are taught under the direction of qualified instructors without the demands of imposed standards or the pressure of grades. A less structured atmosphere can also be socially enriching promoting a sense of community and self-awareness away from the lure of video games and other technologies.

    After seeing the advantages of music camp, the next step is to decide on the type of camp that is right for your child – day camp or overnight camp. Day camps tend to be less expensive and usually have a full schedule of activities that will build upon the experience level of the student. Some day camps may offer “late stay” for working parents. Overnight camps, while they tend to cost more covering food, lodging and other expenses, may offer an extended schedule as well as time for social interactions. Overnight camps can also build confidence and encourage self-esteem while living away from parents.

    Once the type of camp has been determined, parents and students can choose a camp based on a desired experience. Do you want a camp that also offers some non-musical and social activities? Or, are you looking for a camp with an intense emphasis on music? The answer to these questions will assist in narrowing your search.

    In your search you may also want to check out the instructor’s or conductor’s biography. Being familiar with their musical background will ensure your child’s experience will be what you both anticipate. Something else to think about is the number of performance opportunities offered during the camp session. Most music camps will have at least one. Camps for advanced students may include several performance options depending on the length of the camp session.

    If you are undecided about a camp, talk with your child’s music teacher. He or she will likely suggest a camp that will stretch and challenge your musician without being overwhelming.

    As you consider summer music camp options, be sure to check out our list of local music camps for the 2023 summer. There are several day camps as well as overnight camps that are a reasonable driving distance within our region. There are also out-of-state camps for those who are especially adventuresome.